“In 1977, on my wedding ceremony in Moscow Tarkovsky appeared with a Polaroid camera. He had just shortly discovered this instrument and used it with great pleasure among us. He and Antonioni were my wedding witnesses. According to the custom of the period they had to choose the music played during the signing of the wedding documents. They chose the “Blue Danube”.
At that time Antonioni also often used a Polaroid camera. I remember that in the course of a field survey in Usbekistan where we wanted to shoot a film – but finally did not do it – he gave to three elderly Muslims the pictures he had taken of them. The eldest one as soon as he took a glance at the photos, immediately returned them with these words: “What is it good for, to stop the time?” This unusual refusal was so unexpected that it took us by surprise and we could not reply anything.
Tarkovsky thought a lot about the “flight” of time and wanted to do only one thing: to stop it – even if only for a moment, on the pictures of the Polaroid camera.”
I suggest (click on a Trakovsky’s photograph to take a look at the 5 page gallery)
Thanks to Other Directors: from Tempo di Viaggio
Andrei Tarkovsky answers a question read by Tonino Guerra in a letter from a youth. “If you had to talk to today’s and yesterday’s great directors, for what reasons would you thank each of them for what you feel they gave you?”
Message to Young Directors: from Tempo di Viaggio
…they should be prepared for the thought that cinema is a very difficult and serious art. You should belong to it, it shouldn’t belong to you. Cinema uses your life, not vice versa. Therefore I think that this is the most important…