Albert Camus, The Plague

Thus week by week the prisoners of plague put up what fight they could. Some, like Rambert, even contrived to fancy they were still behaving as free men and had the power of choice. But actually it would have been truer to say that by this time, mid – August, the plague had swallowed up everything and everyone. No longer were there individual destinies; only a collective destiny, made of plague and emotions shared by all. Strongest of these emotions was the sense of exile and of deprivation, with all the crosscurrents of revolt and fear set up by these.

“And he knew, also, what the old man was thinking as his tears flowed, and he, Rieux, thought it too: that a loveless world is a dead world, and always there comes an hour when one is weary of prisons, of one’s work, and of devotion to duty, and all one craves for is a loved face, the warmth and wonder of a loving heart.”

“While we loved each other we didn’t need words to make ourselves understood. But people don’t love forever. A time came when I should have found the words to keep her with me – only I couldn’t.”

Ingmar Bergman

All women move me — old, young, tall, short, fat, thin, thick, heavy, light, beautiful, charming, living, dead. I also love cows, she-monkeys, sows, bitches, mares, hens, geese, turkey hens, lady hippos, and mice. But the categories of female that I prefer are wild beasts and dangerous reptiles. There are women I loathe. I’d like to murder one or two, or have myself killed by one of them. The world of women is my universe. It’s the world I have developed in, perhaps not for the best, but no man can really feel he knows himself if he manages to detach himself from it.

Ingmar Bergman, responding to a Swedish journalist who wrote that “Bergman is much wiser about women than men.”


Gunnar Björnstrand and Ingmar Bergman on the set of Winter Light