Catherine Deneuve in Repulsion


Catherine Deneuve in Repulsion (1965, dir. Roman Polanski)

“My aim was to show Carole’s hallucinations through the eye of the camera, augmenting their impact by using wide-angle lenses of progressively increasing scope. But in itself, that wasn’t sufficient for my purpose. I also wanted to alter the actual dimensions of the apartment — to expand the rooms and passages and push back the walls so that audiences could experience the full effect of Carole’s distorted vision.

Accordingly we designed the walls of the set so they could be moved outward and elongated by the insertion of extra panels. When ‘stretched’ in this way, for example, the narrow passage leading to the bathroom assumed nightmarish proportions.”

-Polanski, quoted in Roman (1984)

The Umbrellas of Cherbourg

The Umbrellas of Cherbourg

Catherine Deneuve in The Umbrellas of Cherbourg (1964, dir Jacques Demy)

”[The Umbrellas of Cherbourg] was a film that existed before it was even shot. I remember that when we heard the music, we were all incredibly moved, even though there were no images yet. Jacques Demy was very demanding but also very shy, and he liked to laugh. I recognized myself completely in his way of working. The making of the film was pretty nonsensical and I found that very attractive: everything seemed extraordinary. And I think that I felt that he regarded me as indispensable.

I realized that cinema had the potential to be like that: meetings between people who want to do very unusual things. If the film hadn’t done well, I think it would have been a different story—it confirmed that the most important thing was to do the things you want to do with people you trust and whose ideas don’t seem too conventional to you. For me, something truly shifted when I worked with Jacques. Something profound happened around the relationship you can have with a film.”

-Deneuve, Film Comment (Nov./Dec. 2008)