Bergman: Everyone went on saying I was an idiot until, ruthlessly, step by step, I had taught myself everything to do with my profession. No one can rap me over the knuckles in technical matters today. And this means that nowadays I can behave much more like an orchestral conductor, imagine a conductor who doesn’t know how to play the various instruments, who can’t show his musicians what they’ve got to do at various places, where the fellow who’s playing the bassoon is to breathe, whether a note should be an up-stroke or a down-stroke, whether the timpanist is to use his arms or his wrists. A conductor who says to his musicians, “Remember, this is a microcosm reflected in a macrocosm, ” or something of that sort, is finished. But if he says, “Breathe here. squeeze your lips together like this. Take an upstroke here. Stress this bit of syncopation, ” then they know what it’s all about. It’s precisely the same with actors and technicians. In the first place, always give them purely technical instructions.
Torsten Manns: Learn their language?