trying to exhaust himself, vaughan devised an endless almanac of terrifying wounds and insane collisions: the lungs of elderly men punctured by door-handles; the chests of young women impaled on steering-columns; the cheek of handsome youths torn on the chromium latches of quarter-lights. to vaughan, these wounds formed the key to a new sexuality, born from a perverse technology. the images of these wounds hung in the gallery of his mind, like exhibits in the museum of a slaughterhouse.
Donatella Baglivo’s Andrei Tarkovsky in Nostalghia is a fascinating and insightful rare documentary on Andrei Tarkovsky during the filming of Nostalghia. The documentary includes interviews with the master filmmaker, crew, and cast. “What is a film,” Tarkovsky asks himself and answers, “It’s a mosaic made of time.” Within these 90+ minutes lies an artist at work, what goes behind the process and his creative thought, how he directs his mise-en-scène and collaborators, but most importantly, it captures a time in the life of a great filmmaker whose idea of cinema was precisely that, to capture and sculpt time.