Léon Spilliaert

Femme en Pied 1902

Léon Spilliaert1

L´Attente (Femme dans une attitude tragique dans un paysage austère)

Léon Spilliaert2

Léon Spilliaert3

Vertigo, Magic Staircase (1908)

Léon Spilliaert4

Digue de mer, Ostende, reflets de lumière

Léon Spilliaert5


“To the body of Spilliaert, to the body of those who are haunted, and to the symptoms that have no rational place within the scheme of the subject: when the body of the human turns to the mirror and finds another self gazing back, then the experience of surprise is only because the body is unable to think in advance of its expression. Indeed, a part of the horror written into Spilliaert’s face is as much a horror of being haunted by the premature arrival of a ghost, as it is the horror that the ghost was there all along. How does this expression come into the world? Is there a silence into which a fortuitous circumstance — Spilliaert being placed between two mirrors in a particular room — allows the expression to take shape? Finally, is this gloomy environment simply the means by which the inner world of the haunted gains a voice?”

Wendy Carlos – Country Lane (A Clockwork Orange: Wendy Carlos’s Complete Original Score)

From the liner notes: Scored, but never used, Country Lane “depicts Alex’s near drowning at the hands of his ex-Droogs, utilizes motifs from Rossini’s The Thieving Magpie plus the medieval religious theme of Dies Irae (Day of Wrath), which is also heard in the title music, plus authentic rain storm sounds, plus a suggestion of Singin’ in the Rain. In its few minutes, this Country Lane manages to sum up the mood of the entire film.”