Stanley Kubrick

Stanley Kubrick

 

Do you have a preference for any one aspect of the whole filmmaking process?
I think I enjoy editing the most. It’s the nearest thing to some reasonable environment in which to do creative work. Writing, of course, is very satisfying, but, of course, you’re not working with film. The actual shooting of a film is probably the worst circumstances you could try to imagine for creating a work of art. There is, first of all, the problem of getting up very early every morning and going to bed very late every night. Then there is the chaos, confusion, and frequently physical discomfort. It would be, I suppose, like a writer trying to write a book while working at a factory lathe in temperatures which range from ninety-five to negative ten degrees Fahrenheit. In addition to this, of course, editing is the only aspect of the cinematic art that is unique. It shares no connection with any other art form: writing, acting, photography, things that are major aspects of the cinema, are still not unique to it, but editing is.

Stanley Kubrick

Kubrick

A director is a kind of idea and taste machine; a movie is a series of creative and technical decisions, and it’s the director’s job to make the right decisions as frequently as possible. Shooting a movie is the worst milieu for creative work ever devised by man. It is a noisy, physical apparatus; it is difficult to concentrate—and you have to do it from eight-thirty to six-thirty, five days a week. It’s not an environment an artist would ever choose to work in. The only advantage is has is that you must do it, and you can’t procrastinate…

The best education in film is to make one. I would advise any neophyte director to try to make a film by himself. A three-minute short will teach him a lot. I know that all the things I did at the beginning were, in microcosm, the things I’m doing now as a director and producer. There are a lot of noncreative aspects to filmmaking which have to be overcome, and you will experience them all when you make even the simplest film: business, organization, taxes, etc., etc. It is rare to be able to have an uncluttered, artistic environment when you make a film, and being able to accept this is essential.

The point to stress is that anyone seriously interested in making a film should find as much money as he can as quickly as he can and go out and do it. And this is no longer as difficult as it once was. When I began making movies as an independent in the early 1950s I received a fair amount of publicity because I was something of a freak in an industry dominated by a handful of huge studios. Everyone was amazed that it could be done at all. But anyone can make a movie who has a little knowledge of cameras and tape recorders, a lot of ambition and—hopefully—talent. It’s gotten down to the pencil and paper level. We’re really on the threshold of a revolutionary new era in film.

David Lynch

David Lynch

“I always say Fellini inspired me. I love being in Fellini’s worlds. And Billy Wilder and Stanley Kubrick and Alfred Hitchcock. To revisit those certain films and go in that world is just—It’s a world that didn’t exist and now it exists. There are some people that are—I always say that they don’t like so much abstraction. They don’t like to feel lost. They like to know always, always, always what’s going on. And when they don’t feel that, they feel a little crazy. And they don’t like that. Other people—and I’m one of them—I love to go into a world, be taken into a world and get lost in there and feel-think my way and have these experiences that I know… I know that feeling, but I don’t know how to put it into words. I know that feeling and it’s magical that this cinema brought it out. This is what I love.” — David Lynch

Krzysztof Penderecki – Polymorphia for 48 String Instruments (The Exorcist: Original Motion Picture Soundtrack)

Polymorphia was originally composed in 1961 by the avant-garde Polish composer Krzysztof Penderecki. It was also later used, in addition to several other Penderecki compositions, in Stanley Kubrick’s The Shining.