Dancer with a Hoop 1881
Oil on Canvas
As a follower and protégé of Degas and often “compared to Rembrandt for his emotional power as an etcher”, I am very fond of Forain. I found it interesting that he moved to Paris at a young age and at first worked vigilantly from inside the Louvre at recreating art from old masters prior to meeting Degas.
By the way, Michelangelo also learned by recreating previous art works. It’s important to learn anyway that leads you.