“Cinema is a language. It can say things – big, abstract things. And I love that about it. I’m not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with …it you can say so many things, because you’ve got time and sequences. You’ve got dialogue. You’ve got music. You’ve got sound effects. You have so many tools. And you can express a feeling and a thought that can’t be conveyed any other way. It’s a magical medium. For me, it’s so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. It’s not just words or music – it’s a whole range of elements coming together and making something that didn’t exist before. It’s telling stories. It’s devising a world, an experience, that people cannot have unless they see that film. When I catch an idea for a film, I fall in love with the way cinema can express it. I like a story that holds abstractions, and that’s what cinema can do.”
David Lynch, Catching The Big Fish

David Lynch

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For me, it’s so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. Its not just words or music—it’s a whole range of elements coming together and making something that didn’t exist before. It’s telling stories. It’s devising a world, an experience, that people cannot have unless they see that film.

Jean-Luc Godard (b. December 3, 1930)

Godard

I don’t make a distinction between directing and criticism. When I began to look at pictures, that was already part of moviemaking. If I go to see the last Hal Hartley picture, that’s part of making a movie, too. There is no difference. I am part of filmmaking and I must continue to look at what is going on. [With] American picture[s], more or less one every year is enough: they are more or less all the same. But it’s a part of seeing this is the world we are living in.

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[FilmComment]

Béla Tarr

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"I loved the cinema always, and I loved to go watch movies. But what I saw there was just stupid lies and fake stories. I never saw life and I never saw anything about the people I knew. I never saw real passion, I never saw real emotions, or real camerawork. I never saw a real movie. I thought, if they cannot show me, then I have to do my movie. […] The problem is that most films follow the same pattern: action, cut, action, cut. They only watch the story line. But story is not only about human actions, everything can be a story. A man waiting at a corner can be a story. There are many things that are important in real life but that filmmakers find boring. I don’t think that these things are boring. In my films, I want to be closer to life than to cinema."

Andrei Tarkovsky

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“Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? All over the world there are, indeed, entertainment firms and organizations which exploit cinema and television and spectacles of many other kinds. Our starting point, however, should not be there, but in the essential principles of cinema, which have to do with the human need to master and know the world. I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience—and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.”
 
“I see it as my duty to stimulate reflection on what is essentially human and eternal in each individual soul, and which all too often a person will pass by, even though his fate lies in his hands. He is too busy chasing after phantoms and bowing down to idols. In the end everything can be reduced to the one simple element which is all a person can count upon in his existence: the capacity to love. That element can grow within the soul to become the supreme factor which determines the meaning of a person’s life. My function is to make whoever sees my films aware of his need to love and to give his love, and aware that beauty is summoning him.”