-Jean Cocteau (The Paris Review, 1964)
Photo by Philippe Halsman (via)
“Ina et Hitchcock Harper’s Bazaar, Hollywood” by Jeanloup Sieff — shot in 1962 with model Ina Balke
The Bates’ house in Alfred Hitchcock’s 1960 film “Psycho” was modeled after Edward Hopper’s 1925 oil painting “House by the Railroad” — shown above in black & white, and hung at the Museum of Modern Art in New York City.
Anthony Perkins as Norman Bates
“One day I was given 20 minues to shoot [the Baby Jane reading rehearsal] from the catwalk above. At the time, Crawford was married to the president of Pepsi-Cola. A Pepsi bottle was next to her at all times, and she occasionally sipped from it. Without even looking upward, she sensed my movements on the catwalk – and while reading her lines, she would deftly move the bottle & its logo so that none of the other actors would obscure it in my shots.
In this shot, Crawford and Davis seem quite affable. They each had a portable dressing room. Crawford wanted certain adjustments made. She wanted a ledge for her social secretary to put papers on, and an air-conditioner. She also wanted several other things. She had the men take care of it. As they left Crawford’s dressing room with their tools, Davis just stood a few feet away watching. One of the grips said, ‘Hey Bette, anything we can do for you?’ She said, ‘No, thank you. Dressing rooms don’t make pictures.’
After the wrap each evening, Crawford would leave the sound stage followed by her entourage: hairdresser, makeup man, costumer, social secretary. Davis just left with Davis.”
-photographer Phil Stern (via)
Storyboards for the opening sequence of West Side Story (1961, dir. Robert Wise & Jerome Robbins) Sketches by Saul & Elaine Bass (via)
“Now the questions that come to mind. Where is this place and when is it? What kind of world where ugliness is the norm and beauty the deviation from that norm? You want an answer? The answer is, it doesn’t make any difference.
Because the old saying happens to be true: Beauty is in the eye of the beholder, in this year or a hundred years hence, on this planet or wherever there is human life, perhaps out amongst the stars. Beauty is in the eye of the beholder. A lesson to be learned— in The Twilight Zone.”
The Twilight Zone’s crew looks on as Rod Serling performs his on-camera narration for the episode Static (1961) (via)
“As I grow older, the urge to write gets less and less. I’ve pretty much spewed out everything I have to say, none of which has been particularly monumental. I’ve written articulate stuff, reasonably bright stuff over the years, but nothing that will stand the test of time. The good writing, like wine, has to age well with the years, and my stuff is momentarily adequate.”
-Serling, 1972 (via)