Roland Barthes, The face of Garbo, Mythologies, 1957.
Arnold Newman took a series of photographs of the elderly Stravinsky at work with his scissors, snipping out short musical phrases and piecing them in place; he also snapped something that must be unique in the history of photographs of composers, a picture of Stravinsky erasing a note – perhaps the most Stravinskian gesture of all.
Andy Warhol,Dracula, 1981, Polacolor 2 print. Colby College Museum of Art, Waterville, Maine. Gift of the Andy Warhol Foundation for the Visual Arts, Inc., The Andy Warhol Photographic Legacy Program
Fun fact: in 1974, Andy Warhol produced a film called Blood for Dracula. Art and film come together in an amazing way with this production.
"Ultimately — or at the limit — in order to see a photograph well, it is best to look away or close your eyes. ‘The necessary condition for an image is sight,’Janouch told Kafka; and Kafka smiled and replied: ‘We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes.”
(Roland Barthes, Camera Lucida: Reflections on Photography)
Photography by Man Ray