“I recently unearthed the tape of an interview I had with Michelangelo Antonioni in November 1980, recorded as I was preparing my book, Antonioni, or the Surface of the World. Antonioni invited me to his beautiful apartment on the Tiber. He was warm, friendly, open, and always candid. The interview was partly in English and partly in Italian. For this publication, Antonioni graciously allowed me to reproduce some of his own drawings and texts.” —Seymour Chatman, Michelangelo Antonioni in 1980: An Interview [pdf].
Permanently installed sculpture by Elmgreen and Dragset, inaugurated 2005.
Situated 2.3 km NW, Texas, and 60km NW of Marfa.
A “pop architectural land art project.”
The sculpture cost US$80,000 and was intended to never be repaired, so it might slowly degrade back into the natural landscape.
Designed to resemble a Prada store, the building is made of “adobe bricks, plaster, paint, glass pane, aluminum frame, MDF, and carpet.” The installation’s door is nonfunctional. On the front of the structure there are two large windows displaying actual Prada wares, shoes and handbags, picked out and provided by Miuccia Prada herself from the fall/winter 2005 collection; Prada allowed Elmgreen and Dragset to use the Prada trademark for this work. Prada had already collaborated with Elmgreen and Dragset in 2001 when the artists attached signage to the Tanya Bonakdar Gallery in New York City with the (false) message “Opening soon – PRADA”. Prada Marfa is located relatively close to Donald Judd’s Chinati Foundation. The minimalism of Prada’s usual displays that are mimicked in this work play off the minimalism that Judd is known for as an artist. The sculpture was financed by the Art Production Fund (APF) and Ballroom Marfa, a center of contemporary art and culture.
Along a ledge that runs around the base of the building, hundreds of people have left business cards, weighed down by small rocks.
All I wanted to do was paint sunlight on the side of a house,” said Edward Hopper (or words to that effect), and there have been legions of poets and filmmakers obsessed with light. I would side with the irrational visionary romantic who says light came first, and darkness but a fleeting shadow to be swept away with more light. (“More light!” cried the great poet, dying.) Poets and painters are the natural bearers of it, and all I ever wanted to do was paint light on the walls of life."
For this installation the artist created “relaxation suits” out of plastic and suspended a couple in them while sleeping. For the course of its exhibition the couple was suspended and unaware of the viewers moving about them. The artist said the state of the couple and the entrapment they were in was an illustration of “exhausted, powerless lovers”
Tarkovsky’s cinema is steeped in Eastern Orthodox mysticism.
Orthodox Easter, celebrated by most branches of the Eastern Orthodox Church (including the Russian Orthodox Church) and some Oriental Orthodox churches, is today this year. Orthodoxy in Estonia is practiced by 13% of the population, making it the second most identified religion after Lutheran Christianity.
The Easter service itself begins the night before Easter Sunday. I actually took part of it last night. People gather at church at around 23:00 to hear the Easter mass. Bells begin to ring out across the city and the priest will then lead the congregation around the church in what is called ‘the cross procession’.
I found a copy of Andrei Rublyov’s Holy Trinity hanging on the wall. The Church has many different depictions of the Holy Trinity. But the icon which defines the very essence of Trinity Day is invariably the one which shows the Trinity in the form of three angels. The prototype for this icon was the mysterious appearance of the Holy Trinity in the form of three travelers to Abraham and Sarah under the oak of Mamre. The Church specifically chose this particular icon because it most fully expresses the dogma of the Holy Trinity: the three angels are depicted in equal dignity, symbolizing the triunity and equality of all three Persons.
Andrei Rublev, Art, Orthodox Icons, Russian Art, Russian Orthodox Church, Trinity, Christ the Redeemer.