Let me tell you a story. The day after Columbine, I was interviewed for the Tom Brokaw news program. The reporter had been assigned a theory and was seeking soundbites to support it. “Wouldn’t you say,” she asked, ‘that killings like this are influenced by violent movies?” No, I said, I wouldn’t say that. “But what about ‘The Basketball Diaries’?” she asked. “Doesn’t that have a scene of a boy walking into a school with a machinegun?”
The obscure 1995 Leonardo DiCaprio movie did indeed have a brief fantasy scene of that nature, I said, but the movie failed at the box office and it’s unlikely the Columbine killers saw it.
The reporter looked disappointed, so I offered her my theory. “Events like this,” I said, “if they are influenced by anything, are influenced by news programs like your own. When an unbalanced kid walks into a school and starts shooting, it becomes a major media event. Cable news drops ordinary programming and goes around the clock with it. The story is assigned a logo and a theme song; these two kids were packaged as the Trench Coat Mafia. The message is clear to other disturbed kids: If I shoot up my school, I can be famous. The TV will talk about nothing else but me. Experts will try to figure out what I was thinking. Kids and teachers at school will see they shouldn’t have messed with me. I’ll go out in a blaze of glory.”
In short, I said, events like Columbine are influenced far less by violent movies than by CNN, “The NBC Nightly News” and other news media, who glorify the killers in the guise of “explaining” them.
The reporter thanked me and turned off the camera. Of course the interview was never used. They found plenty of talking heads to condemn violent movies, and everybody was happy.
Richard Buckminster “Bucky” Fuller (July 12, 1895 – July 1, 1983) was an American systems theorist, architect, engineer, author, designer, inventor, and futurist.
In his 1970 book I Seem To Be a Verb, he wrote: “I live on Earth at present, and I don’t know what I am. I know that I am not a category. I am not a thing—a noun. I seem to be a verb, an evolutionary process—an integral function of the universe.”
Tarkovsky’s cinema is steeped in Eastern Orthodox mysticism.
Orthodox Easter, celebrated by most branches of the Eastern Orthodox Church (including the Russian Orthodox Church) and some Oriental Orthodox churches, is today this year. Orthodoxy in Estonia is practiced by 13% of the population, making it the second most identified religion after Lutheran Christianity.
The Easter service itself begins the night before Easter Sunday. I actually took part of it last night. People gather at church at around 23:00 to hear the Easter mass. Bells begin to ring out across the city and the priest will then lead the congregation around the church in what is called ‘the cross procession’.
I found a copy of Andrei Rublyov’s Holy Trinity hanging on the wall. The Church has many different depictions of the Holy Trinity. But the icon which defines the very essence of Trinity Day is invariably the one which shows the Trinity in the form of three angels. The prototype for this icon was the mysterious appearance of the Holy Trinity in the form of three travelers to Abraham and Sarah under the oak of Mamre. The Church specifically chose this particular icon because it most fully expresses the dogma of the Holy Trinity: the three angels are depicted in equal dignity, symbolizing the triunity and equality of all three Persons.
Andrei Rublev, Art, Orthodox Icons, Russian Art, Russian Orthodox Church, Trinity, Christ the Redeemer.
It is necessary to fall in love, if only to provide an alibi for all the random despair you are going to feel anyway.