"Kui te tänapäeval leiate inimese, kellel puudub oma isiklik kiiks, siis ei ole ta tõenäoliselt normaalne." Carl Sagan
“A film is – or should be – more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later” -Stanley Kubrick
The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good.
Muss es sein? Es muss sein! Es muss sein! (Must it be? It must be! It must be!)
– Ludwig van Beethoven, comment written on the finale of his String Quartet in F Major, Op. 135
Plaudite, amici, comedia finita est. (Applaud, my friends, the comedy is over.)
– Ludwig van Beethoven, on his deathbed, 1827
I’m a revolutionary, money means nothing to me.
– Frédéric Chopin, quoted in Arthur Headley, Chopin (1947)
After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own.
– Oscar Wilde, 1891
Le concert, c’est moi.
– Franz Liszt, writing to the Princess Belgiojoso on his launch of a new kind of public concert: the solo recital; quoted by Alfred Brendel in The New York Review of Books (22 Nov 1990)
A smasher of pianos.
– Clara Schumann on Liszt, quoted in Alan Walker, Robert Schumann: the Man and his Music (1972)
O Mozart, immortal Mozart, how many, how infinitely many inspiring suggestions of a finer, better life have you left in our souls!
– Franz Schubert, Diary, 1816
Mozart should have composed Faust.
– Johann Wolfgang von Goethe, Conversations with Eckermann (1827)
He roused my admiration when I was young; he caused me to despair when I reached maturity; he is now the comfort of my old age.
– Gioachino Rossini on Mozart
Mozart is sunshine.
Antonin Dvorak, quoted in Otakar Sourek (ed.), Antonin Dvorak: Letters and Reminiscences (1954)
The sonatas of Mozart are unique; they are too easy for children, and too difficult for artists.
– Arthur Schnabel
Mozart in his music was probably the most reasonable of the world’s great composers. It is the happy balance between flight and control, between sensibility and self-discipline, simplicity and sophistication of style that is his particular province… Mozart tapped once again the source from which all music flows, expressing himself with a spontaneity and refinement and breath-taking rightness that has never since been duplicated.
– Aaron Copland, Copland on Music (1960)
It is sobering to think that when Mozart was my age he had already been dead a year
– Tom Lehrer (speaking of Mozart’s early death at the age of just 35 years)
His character was a mixture of tenderness and coarseness, sensuality and candour, sociability and melancholy.
– Johann Mayrhofer on Schubert; quoted in Westrup, Schubert Music (1969)
"Never are voices so beautiful as on a winter’s evening, when dusk almost hides the body, and they seem to issue from nothingness with a note of intimacy seldom heard by day."
— Virginia Woolf , Night and Day (1919).
“ Tous les imbéciles de la Bourgeoisie qui prononcent sans cesse les mots : « immoral, immoralité, moralité dans l’art » et autres bêtises me font penser à Louise Villedieu, putain à cinq francs, qui m’accompagnant une fois au Louvre, où elle n’était jamais allée, se mit à rougir, à se couvrir le visage, et me tirant à chaque instant par la manche, me demandait devant les statues et les tableaux immortels, comment on pouvait étaler publiquement de pareilles indécences.
“All the imbecile of the Bourgeoisie which pronounce ceaselessly the words: ” immoral, immorality, morality in the art ” and the other stupidities remind me Louise Villedieu, whore in five francs, which once accompanying me in the Louvre, where she had never gone, began reddening,covering herself the face, and pulling me all the time by the sleeve,asked me in front of statues and immortal paintings, how we could display publicly these indecencies. “
I sit down to the piano regularly at nine-o’clock in the morning and Mesdames les Muses have learned to be on time for that rendezvous.
– Pyotr Tchaikovsky,
quoted in Schafer, British Composers in Interview (1963)